Readers!

Please enjoy these blogposts, written between 2011 and 2015. Another blog is on the way.

Friday, July 27, 2012

I'll Only Be Writing

A pin oak.  They're lovely trees.

I’d rather be writing. . . I’d rather be teaching . . . As it turns out, I’ll only be writing.  On June 6, minutes after my last class ended, with only grading left to do, I dropped in on the dean and resigned, packed up my office, and drove away. (If you’re an adjunct, you’ll know I didn’t have much to pack. I desk-surfed this year and learned fast not to accumulate.) I’m sitting in my office at home in Bellingham now, looking out at the pin oaks planted in the green strip that divides Broadway, and feeling a little shell-shocked.

I don’t regret my most recent experiences in the classroom. In four quarters, I learned, again, from 200 students that what matters in life doesn’t have much to do with how to list dates in MLA format. 

Here is a sampling of remarks I heard from fellow English Dept. faculty this year:

I don’t want to know anything about my students.

What do you mean they should read good books?  Do you mean classics?

We should probably assign at least one book per quarter.

This may look like a five-paragraph essay, but it’s not.  I tell them not to write five-paragraph essays.

I don’t even want to be in the same room as that guy (a vet).  He’s the most judgmental person I’ve ever known.  I wouldn’t be surprised if he showed up with a gun and shot me. 

Well, in my 101, that paper would get a D.

My husband, who will have to work more hours to pay for private health insurance again, has been, as usual, very kind.  I know most adjuncts can’t afford to quit.  I know.

Saturday, May 12, 2012

C words--but not THAT one

Angela Lansbury in The Manchurian Candidate
Say you live in a family or work in an institution.  That accounts for most of us.  Within that family or institution certain people are in charge—either because they are paid to be; or they birthed and reared you and expect a little consideration; or they have shown (or until recently concealed) a proclivity for control.  You may not have objected so far. The risk of conflict may have been too great, or up until now you’ve been able to circumvent the person or persons in question. Maybe you're the kind who, before you nod off at night, thinks, What the hell. Surely we can all get along.

If you’re suddenly worried, if one day not too long ago you noticed that you’ve become dangerously passive, how do you know that you’re not overreacting? How do you know that a tiny bit of paranoia isn’t surfacing that has more to do with you than with the person or persons in charge? You can assess your situation by listening for the following words across the kitchen table or in a meeting:

Condone—as in I can’t condone that kind of behavior, often used by a parent pre-emptively in reference to another child.  What the parent means is, don’t ever do that, or you won’t like the consequences.

Comply—often used by physicians: Have you complied with your treatment plan? That is, have you taken your meds today? But equally effective in other situations.

Cooperate—the mother of that lovely sixties noun cooperative. The verb and adjective aren’t as friendly: we trust you will cooperate in this endeavor, and if we all could be just a little more cooperative . . . Now that I think of it, wasn’t there always one person in those sixties food and babysitting coops who managed to squeeze out a little more free time or save a little more money than everyone else?

Concur—This one isn’t used much outside Congressional hearings. But if you hear it—Do you concur?—the apparent dignity with which  you are being addressed may seduce you into betraying a conviction.

Calculate—If your boss plans to calculate the cost of a program you’ve proposed, or your parents suggest that you calculate the true cost of something you need, you can be pretty sure that the numbers aren’t going to work in your favor.

If you find yourself on the receiving end of Vocabulary C, clarify your thoughts, seek counsel (but beware of therapeutic types, who are sometimes in bed with Angela Lansbury), and communicate.  Communicate is a word that can be used for good or evil.  Use it for good.  Be transparent, let go of your anger as soon as you’ve spent it, and don’t conspire to be in charge yourself.

I’m reading Anne Lamott’s latest book, Some Assembly Required, about her new grandson and his 20-year-old father. I’d share an excerpt, but that seems unfair when the book tour is still in progress.  So I’ll borrow some advice from an earlier book, Operating Instructions. Surely her publisher won’t mind that. 

Strive to be “a very gentle person”--as Lamott says she tries and often fails to be but has endeavored to teach her son and readers--and be “militantly on [your] own side.”

Sunday, March 25, 2012

Through the Window

I  took a nap yesterday, and a bath, and watched a 1933 William Powell movie on TV called The Kennel Murder Case, which made very little sense but involved dogs. At the muddy end of winter quarter, my mind is almost empty.


Emptiness would be an opportunity, I know, if I could keep myself from racing to fill it with anything more complicated than this forsythia, blooming outside our kitchen window.


I've been reading Bob Ekblad's Reading the Bible with the Damned and remembering what took me to El Salvador so many years ago--the drive to understand how people in desperate circumstances come to believe that they're safe, that neither death, nor life, nor principalities, nor powers (and so on) can separate them from the love of God. In order to grasp this, I--who never worry about where my next meal is coming from or whether I'll die before I can eat it--apparently need to encounter people who do worry about these things, either in the Global South, or right next door, where making connections seems much harder. Ekblad labors in both fields--in Honduras and with the locally desperate. His hermeneutics, as I once learned to call the bias one brings to interpreting the Bible, ring truer than most, but that hoary book resists all efforts to clean it up or systematize it.  Ekblad's is just one more. It's the struggling people in the book, the ones in jail, or coming off drugs, or bending over to pick berries, that offer instruction. I owe them something for it, and I need to find a way to pay my bill.


This choice of reading has something to do with emptiness, but it's way more complicated than forsythia, so I'm putting it down. When the rain finally stops in Bellingham, there's no place more beautiful.  Have I mentioned this?

Thursday, February 16, 2012

Ordinary Time

Our reading on Sunday, Feb. 12, went  fine. We were glad to read in a queue of eighteen other couples, many of whom had written original poems for the occasion.  We weren't that brave.  I read "Carry" by Billy Collins, "Kissing," by Marie Howe, and "The Shirt," by Jane Kenyon.  Warren read two E. E. Cummings poems, one of which made me cry. Our daughter told us later that the Michael Caine character in Hannah and Her Sisters read this same poem to the Barbara Hershey character, and adultery ensued.

The couples ranged widely in age, young enough to have infant children, old enough to have tremors. Every marriage trajectory, insofar as the listener could intuit it, was different.  A very cool evening.  Thanks to Sky and Lynn for coming.  A former student showed up, too--with his girlfriend!  That was thrilling.

Last week and weekend, we had a series of sunny and sparkling, but not freezing, days.  A few things about the place I now work jumped out at me. There's no place to go if you're sick, to get an aspirin from someone who may or may not be qualified to give it to you.  There is no place even to lie down.  There are no department offices, or secretaries.  The waiting area for the financial aid office is out in the open, along one of the main corridors of the student center.

I've been so glad to be employed as a teacher and so desperate to keep up with planning and grading that I was on campus six months before I noticed these things. When the governor of our state says that K-12 shouldn't be funded at the expense of higher education, she may recently have taken a tour of a community college campus.

On Sunday I was grateful for the couple that read some lines from the Song of Solomon: "...for now the winter is past, the rain is over and gone, the flowers appear on the earth, the time of singing has come..." May that be so for institutions serving people.

Wednesday, January 18, 2012

My Husband and I Read Poetry


If you're in the Bellingham area, consider attending this event on the Sunday before Valentine's Day. Warren and I are one of at least 15 couples reading poetry, both original and published by others.  Adults only!

For us, reading poetry together in public may turn out to be like dancing--a little awkward. We need some moral support!

7-9 PM at the Amadeus Project, 1209 Cornwall Ave., Bellingham.

Admission by voluntary donation to the Amadeus Project. 

Sunday, January 15, 2012

Writing and Teaching

I’d rather be writing.
I’d rather be teaching.
Even if I believed that the way I spend my waking hours, my one and only life, could be reduced to a bumper sticker, neither of these would describe what I want.
In my community college basic writing class, one of three courses I’m teaching winter quarter, I assigned as content a few works, mostly short, about the Puget Sound area where my students and I live—or the Salish Sea, the native name we’re learning to use. I’ve begun with native myths about salmon, the buffalo of the Lummi, Snohomish, Pullayup and other coastal tribes, because that seemed natural, the best place to start. “Native” tribes are immigrants just like the rest of us, but their pedigree is older. Their forebears crossed the now submerged land bridge across the Bering Strait twenty to fifty thousand years ago, whereas other ancestral communities didn’t unpack their bags for good until the middle of the nineteenth century.
The problem is that I don’t altogether understand these native myths.  If I did, I wouldn’t have assigned them. I know from past experience that the light will go on for me about ten minutes into the first class discussion of this material, and it will be a student who throws the switch.  I love the suspense of this process and its collegiality. Now that I’m teaching again, I don’t think I can live without it.  Still, it wears me out.
If you know the Myers Briggs Type Indicators, I’m an INFJ—an intuitive (N), feeling (F) and judging (J) introvert (I).  (My under-developed capacities are thinking, sensing, perceiving, and extraversion.) I like Myers-Briggs, based on Carl Jung’s psychological types, because all the traits are given a positive spin. I am imaginative, compassionate, planful, and reflective—rather than illogical, unrealistic, unspontaneous, and antisocial. You could make a case that INFJs make good teachers as well as good writers.  I seriously doubt, though, that doing both makes much sense for them, for me.  We’re pretty high-strung folks, disinclined to spread ourselves thin.
Over the last week and a half I’ve met 80 new people, and because I’m “intimate’ (an aspect of introversion), I’ve learned about 70 of their names. I ran into several students from last quarter, which made me unaccountably happy. I signed lots of paperwork for financial aid and tutoring help without knowing much about the particular needs these services are filling. I listened to a vet explain PTSD in relation to Tobias Wolff’s This Boy’s Life, a connection that never occurred to me. Because I’m teaching Business English for the first time, I went to the counseling center to ask some probably stupid questions about who my students are and what they’re up against. The answer to that last part—what they’re up against—is a lot.
When I’m teaching I write about two pages a week. I have a pile of stories in my drawer, most of which haven’t been published, and new voices in my head--characters buying ferry tickets and begging each other not to jump into the Salish Sea.
Teaching slows writing down to a trickle. And writing, if you let it, can squeeze out everything else, rendering an introvert like me agoraphobic and mute. What I want to avoid more than anything else is spending my numbered days wishing I were doing whatever I’m not. That would be a real shame.

Saturday, January 7, 2012

"Rescue Me"

I've been working on an essay today about introversion, pulling some of my old blogs together and reflecting on them.  I have three stories that need rewrites, but I felt like starting something (sort of) new. I can't figure out where to start blogging in 2012, so here's an old story about two introverts who find each other, published obscurely in print in 1999. I think I still like it.

Rescue Me

Raymond's next-door neighbor, Brigit, stands in his driveway.  He lowers the window of his car, extends his arm, and tries to shoo her out of the way: "Move, Brigit, OK?"   When she doesn't, he drives around her and parks diagonally in the garage of his condo.
"I went to the community college, like you told me," she shouts as soon as he opens the car door.  "They sent me to some center."   
"The Center for the Learning Disabled," he says in a level voice as he walks toward her.  She needs to be reminded to keep her voice down.  She has trouble with volume control.    
"How did you know that?" she whispers.  Her blue eyes blink in slow motion, and she slumps a little.  A head injury she received about two years ago has confused her thinking, and it depresses her when other people understand and remember easily.  Raymond has spoken to her doctor and knows that her prognosis is uncertain.  She may remain as she is, or she may get better, even much better.  When she told him that her ex-husband left her days after she came home from the hospital, Raymond was outraged.  In sickness and in health may be too big a promise for some people to keep, but at least her husband might have stuck around to find out which it was going to be.    
"I called ahead to the Student Placement Office, remember?"  he says.  "That's how I knew about the center."  He called the center, too, earlier this afternoon, to talk to the counselor who met with Brigit.  Recently Raymond has involved himself--just a little--in Brigit's affairs.  He has encouraged her to believe that she has some control over her condition, that she can work at getting better.  He hopes he is right to have done this.
"Yes," she says, "Right.  The man at the center talked to me for a long time and made me an . . . appointment."
Brigit is aware that people she meets for the first time assume she's always been stupid, or crazy.  Raymond believes she's better off knowing this, because in addition to seeming either slow-witted or unbalanced, Brigit is simply beautiful, the most beautiful woman Raymond has ever met.   She looks like the blonde Charlie's Angel, the second, small and neat one, not the first one with all the curly hair.  Raymond watched reruns of this show, dubbed in Spanish, as a kid, when his parents were missionaries in Caracas.  Unfolding in another language, the plots seemed complicated, but the mixture of lust and malice on the crooks' faces came across plainly enough. Brigit isn't up to springing any brilliant surprise plans as the Angels did.  She isn't going to outsmart anyone, not now, maybe never.  Over the last year and a half, since they have been neighbors, Raymond has come to care for her, but even he has dreams in which her limitations are--is there any other way to put it?--convenient. 
"I've got a slip of paper here somewhere with the day and time on it," Brigit says.  "The appointment's for a test or something.  Where is that damn paper?"  She reaches into each pocket of her jeans once, twice, three times.  "Did you know there would be a test when you told me to go?  I can't find it."  She grabs Raymond's wrists, panicked.  She tends to do this, touch him like this.  Does she do it with other people?  That, all by itself, could get her into trouble.  Or does she do it just with him? 
"Stop saying I told you to go, Brigit.  I suggested  that you go, that's all."  He doesn't want her to become too dependent on him. So far he's acted responsibly. When she's standing right next to him, when he can smell her, he has a hard time remembering they aren't on a level playing field. He would like to believe he's a decent person. 
"Here," he says, reaching into the pocket of her pink cotton shirt.  "The paper is pink, and your shirt is pink.  Here."     
Why did he do that?  Brigit's eyes have lit up.  She is radiant. 
"The test is on Monday.  Today's . . .Friday," she says.  "It's OK about the test, Raymond.  I don't mind taking it.  If you think I should.  I trust you." 
 ***
 That night they sit in the living room of Brigit's condo, on a floral sofa.  They've had pizza delivered.  Its grease-stained box sits empty on Brigit's coffee table.  Raymond is past 30.  He's eaten plenty of meals with plenty of women and slept with some of them afterward, teachers, mainly, from the school district where he works networking computers and explaining how to use them.  These women have drifted away, or he has.  He can think of one or two who would say that he has.  He has heard that his name buzzes around the teachers' lounges, that women warn each other about him. 
His sister, Caroline, who lives with her family across town, finds the idea that Raymond is some sort of Don Juan among the laser printers--thin and freckled as he is, never married--ridiculous.  He doesn't see himself that way either, of course, but he resents Caroline's tone.  He doesn't care for her tendency to make summary judgments and is afraid that he resists making important decisions in his own life because he doesn't want to be like her.
"It doesn't matter how you do on this test," he says to Brigit.  "It's only so the people at the center will know how to help you." 
She wants him to spend the weekend helping her get ready for the test.  He could.  The math teacher he's been dating is out of town.  His only plans are to have dinner with his sister, at her insistence, Saturday night.  
"The test does  matter, Raymond.  I don't want them to put me in a bunch of bonehead classes.  I don't have that much time. I got another letter from the lawyer." 
Brigit and her husband were married only four years.  In view of her condition, she was awarded three years of support in the divorce settlement.  She has not quite two years' left.   Before Raymond suggested the community college, she experimented with part-time jobs.  Several months ago, for example, she worked in a bookstore, at the register.  Every evening she got off the bus that stops on their corner looking more haggard, more used up.  In fact, the first time she and Raymond had a personal conversation, he was out in front washing his car when he saw her stumble down the steps of the bus and fall onto the boulevard strip.  He ran over to help her up, but she needed to talk first, to lie back in his arms and tell him what had happened.  A woman had run into the store with a sick baby, Brigit said, and she had given the woman the wrong directions to the hospital.  
Maybe you need a job where you don't have to work with people, Raymond suggested.  And Brigit replied, I love  people, but maybe you're right.  Really, though, said Raymond, it's just as likely that I'm wrong.   Brigit had looked up into his face then.  He wondered what she saw there.
"What's on this test anyway?" says Brigit.
"I'm not sure."  Raymond didn't ask.  The counselor he spoke to today did say, however, that based on his interview with Brigit, he might suggest the court recording program.  She wouldn't do well at work that required thinking about several things at once, or setting priorities, but her small motor skills appeared to be intact and fairly good.  And it looked as if, when she wanted to, she could concentrate. 
"I'm not dyslexic," Brigit says.  "The hospital people figured that much out.  And I can read fine.  Try me.  Go ahead." 
He doesn't really know how to help with the test.  He might confuse her, make her do worse on it than she would have done without him.   She puts her arm around him.
"All right," he says.  He pulls away a little, opens the newspaper, points at random to an article.  "Read that sentence to me."
"'A Chinese real estate and gambling mogul linked to laundered campaign money visited the White House at least 10 times from 1994 to 1996.'"  Brigit doesn't stumble over a single word.
"Very nice.  So if I asked you a question about that, could you answer it?"
"Maybe.  I don't know."  She puts her fingers in his hair.  "Probably not."  She looks unhappy.
"Well, tell me what you do understand."
"It's about the President and some laundry money." 
"Laundered  money," says Raymond.
She looks hard at him.  He can guess what she's thinking.  "And there's something about a Chinese mogul," she says.  "That's not the kind of mogul you ski around, I'm sure of that.  My husband and I used to ski, you know.   All the time.  I'm a good skier.  What is  this article about?"
"How the president may have raised the money he needed to get elected."
"Oh.  Laundered money."
"Right."  Raymond hopes she doesn't ask him to explain how money is laundered, because he doesn't know.
"So will you help me, Raymond?"  She pokes him in the stomach.  Her hair brushes against his face.
He'll have to be careful, that's all.  He'll have to be very clear and direct.  "I'll try," he says.
 ***
He and Brigit spend Saturday morning taking books off the shelf in his bedroom, most of them from his childhood.  They take the books into the living room--he insists on that--and read a paragraph or two together, talk about it, move on to the next, or to a more complicated book.  They progress from The Red Fairy Book  to Where the Red Fern Grows  to The Scarlet Pimpernel.    He makes lunch, but afterward says he's tired. 
She knocks on his door again at 5:00.  "Feel rested?"
"We'll do more in the morning, Brigit.  I'm busy tonight."
Her eyes brim with tears.  He feels as if two very large hands are closing around his throat.  This is how Brigit's tears register, as life threatening.
"It's my sister," he rushes to explain.  "I'm meeting her for dinner."  He adds, irrelevantly, "She's older than I am." 
"Why can't I go along?" asks Brigit. 
He wants to say, because Caroline will see right away that you are the kind of person who would ask that question.  "You wouldn't like my sister."
"Why not?  We'll get along great.  You'll see."
 ***
"Brigit, please keep your hands to yourself during dinner," he says as they walk into the Chinese restaurant that Caroline has chosen.  "My sister won't know what to think if you touch me all the time.  And watch your voice.  People don't normally shout in restaurants." 
"I bet the guy who owns this place is a mogul," Brigit shoots back. 
He's nervous, and that's dangerous around Brigit.  He might say the wrong thing, feel the wrong thing.  And Caroline will notice. 
His sister raises her eyebrows when she sees Brigit coming but says only, "Pleased to meet you."  Caroline is wearing canary shoes, a dress that's green and purple, jungle-printed.  Like Raymond, she is fair-skinned and small-boned, but somehow she is equal to this outfit.  She threw over their mother's churchy taste as soon as she left home.    
They order dinner, Brigit with some difficulty since Caroline is busily updating Raymond on her catalogue business in children's clothing. 
"I rented warehouse space and hired a guy to fill orders," she says.  "And I finally caved in and hired professional models."  She turns to Brigit.  "I used to use my own kids as models." 
Brigit says, "Oh, I love kids.  Someday I'm going to have lots of kids.  I'll have to get married again, naturally." 
"Naturally!" says Caroline, cocking her head to one side.   
Raymond thinks, maybe this is going to turn out OK after all.  Caroline likes honesty, and no one is more honest than Brigit.  Dishonesty was his sister's charge against their missionary parents.  "Why don't you just give these people a list of everything they're supposed to think and do?"  She meant their father's Venezuelan congregation, and the neighborhood women as well, to whom their mother was always giving advice on hygiene.  "Control and coercion--that's what missionary work amounts to.  Why not be up front about it?"
The waitress serves their hot and sour soup.
Raymond feels disoriented.  Having Brigit there with Caroline has confused the past and the present.  "Brigit's going back to school," he says hopefully.      
"Oh?  What are you going to study?" Caroline asks.
"Well, you know, I'm not quite sure.  It depends.  Whatever seems . . . interesting."  Brigit examines her fingernails.  
"Surely you must have some idea about what you want to study," Caroline says.  "I mean, why go back to school if you don't have a plan?" 
Raymond sees he has inadvertently raised one of Caroline's red flags. 
"I was in a car accident, and then I had surgery," Brigit says.  She pats at the hair that covers her scar.  "It wasn't completely successful."  She is beginning to look agitated.   
Raymond hurries to explain that he's arranged for a test to be given to Brigit, for career counseling, tutoring. 
Caroline's face darkens.  He knows that look.  She gives her own kind of test, and he just failed it.  "I think I understand," she says.  
"What?" says Raymond, more loudly than he intended.  "What  do you understand?"  Caroline is a weight on his chest.  He would like to throw it off.  From the time we were little and crammed together, sweating, in those front pews, he would like to tell her, I have never liked you.
"You see," Caroline says to Brigit, "our family has a certain tendency toward . . . missions."
"Bullshit," says Raymond, hissing.  "Maybe you want to tell people how to live, but I don't.  Maybe you think--"
Brigit casts a fretful beam of something, possibly love, in his direction.  He feels it on his face. 
Caroline is looking hard at both of them now.  "Forgive me," she says to Brigit.  "I see that I've been . . . mistaken about your relationship with my brother." 
Something worse is on the way.  Raymond knows it.  Caroline turns to him.  "My God, Raymond, this woman is injured.   Is your conscience on vacation?"   
"You don't know anything  about Brigit and me!  Nothing!"  He's shouting now.  People in the restaurant turn to look.  
Brigit stands up, lays her hand on his shoulder.  He's not sure what she wants, but he pushes his chair back.  She sits down in his lap. 
"Don't be upset, Ray," says Brigit.  "Everything's fine.  I like Caroline.  And she likes me.  Don't you, Caroline?"
"Well, yes," says his sister.  "Of course I like you, but--"
"See, Ray?"  Brigit hides her face in his neck and whispers, "Everything is just fine!" 
***

On the way home, Raymond can't stop coughing.  There's a piece of food stuck in his windpipe.  Brigit inserts her hand between his back and the car seat and tries to slap him.  The car swerves. 
"Stop that, Brigit!"
She settles for unbuckling her seat belt, scooting over next to him.   Her upper arm presses against his.
"Think of nice things," she says.  "Think of Disneyland.  Did you go to Disneyland when you were a kid?"
"Yes."  His parents had taken Caroline and him once, the summer he was nine.   
"Think of the electrical parade," says Brigit.  "Think of the teacups."
Disneyland had disturbed him.  He wanted so much to relax and enjoy himself, to be a regular American kid.  The park, so bright, perfect, flamboyantly fake, cried out for a holiday mood, a foolishness that his family never practiced but ought to be able to manage this once if they would only try.   And he supposed they did try, his mother and father and sister, but they were lousy actors, and after a while Raymond just wanted to get the whole thing over with.  
"I'm not a kid anymore, Brigit." 
"Then think of something else then.  Think of . . . kissing."
Kissing.  She clearly said kissing.  But her feelings may be as short-lived, as unreal, as a visit to Disneyland.  He doesn't know who she used to be, or who she will become.  It's not her problem that he's fallen in love with the person she is right now. 
"Ray!" Brigit says.  "You're not sick, are you?" 
He's cold now, and damp.
"You can't be sick.  We have to study tomorrow."
They pull into his driveway.  He's asking too much of himself, that he help her without touching her, without helping himself to  her.  She's  asking too much.
"You could be a little less . . . demanding, Brigit.  I mean, I gave you most of my Saturday.  You could at least say thank you."
She moves away, then reaches up and feels around for the overhead light.   She's steely eyed, but trembling.  "Never mind about the test, Ray," she whispers.  "I don't need help.  You said yourself the test doesn't matter."  She opens the car door.
He grabs her hand.  She has to understand that he didn't mean what he just said, that all along he has meant well.  "Don't think badly of me, Brigit," he begins, then something else comes out.  "Come inside with me, Brigit.  Spend the night with me." 
He jumps out of the car, runs around to the other side. 
"Let's go in, Brigit.  Please, honey.  Let's go now."
*** 
He sits up in bed, his back to her, trying to think of what her skin feels like, to fix a phrase in his mind, so he won't forget.  Like the sky, if you could touch it.  Like an eyelid.    
"Ray," Brigit says, "Did I ever tell you about my mother?"
"No, honey."   He wants to make love again, right away.  He wants the whole length of her body stretched out against his.  He inhales slowly, shakily, tries to calm down.
"She wasn't pretty, not like me.  When I got to be about twelve, and she was maybe 40, she always looked, I don't know, kind of swollen up, red and  blotchy.   After a while she looked OK again.  I'll show you my wedding pictures.  She looked nice that day.  But by then my dad was gone.
"I used to watch her in the mirror when she brushed my hair.   She'd stop and hold a handful of it or touch the skin on my face.  She said I'd never have the same kind of trouble she had.  No one would ever leave me." 
How hard Brigit's life has been.  "I won't leave you," he says.
"You might.  I have to be realistic.  I need to be able to take care of myself."
"I know you do.  You need a good job," he says, "a career.  I'll help you."  Will you leave me?  he wants to ask.  "Tomorrow, we'll study."
"Thank you, Ray.  You're a good person.  I knew that right from the start."
Raymond lies back down beside her, breathing more easily now, more smoothly, as if suddenly, somehow, he is entitled.


Saturday, December 31, 2011

Stepping into 2012

Our new kitten, Arthur
I've been gone, obviously. Teaching is hard; writing while teaching is harder; but not writing is hardest of all, and I vow to give it up. In 2012, I'm going to write while I teach, no matter how complicated my life becomes, how tired I get, how behind on laundry, no matter if both the teaching and writing go downhill as a result.

Obama signed the National Defense Authorization Act today, meaning that American citizens accused of domestic terrorism can be detained, interrogated, and tried by military as well as civilian officials.  The tricky thing will be how how broadly domestic terrorism is defined.  (A scary example is the prosecution as terrorists of Earth Liberation Front activists, for property damage alone. Watch If a Tree Falls, now streaming on Netflix.) What has looked like a popular uprising in Syria turns out to be some kind of proxy war against Iran, with our fingerprints all over it.  Los Angeles is on fire, and it isn't even fire season. My children struggle to make ends meet, and we struggle to help them.

Yet whether it's 1984 or 2012, on whatever morning in whatever year we wake up, we get in the shower, get dressed, and do the things we can't help doing.  Not writing is harder on my health than fatigue will ever be.  I hope that whatever it is you can't help doing, your most important occupation, thrives next year, and you along with it.

P. S. I plan to post a book review now and then on this blog since I'm not reviewing for Trachodon's Cheek Teeth site anymore...and I never stop reading.  

Tuesday, October 25, 2011

Sick

I've been sick--a little sick, then more sick--and now I'm well again.  Two rounds of oral antibiotics didn't faze my infection, so I had to show up at the infusion room of St. Joseph's in Bellingham for an intravenous antibiotic.

"Considering how common illness is,"writes Virginia Woolf in On Being Ill, "how tremendous the spiritual change that it brings, how astonishing, when the lights of health go down, the undiscovered countries that are then disclosed, what wastes and deserts of the soul a slight attack of influence brings to view . . . how we go down into the pit of death and feel the waters of annihilation close above our heads . . . it becomes strange indeed that illness has not taken its place with love and battle and jealousy among the prime themes of literature."

Woolf's husband and doctors put her to bed when she was ill. While she was recuperating, they sent her out on long country walks and made her drink gallons of milk. They didn't let her write, believing that writing disturbed her mind and stressed her body. Not writing, I've always suspected, made her sicker. But maybe not.

I have a hard time staying in bed.  I spent the days before my evening treatments grading fifty essays. I could have postponed this task, I guess, but I knew I would panic if I got behind in grading, if this set of essays was still unfinished when the next set rolled in.  My IV port was in my left hand, so I was able to write in margins all day long. My husband and son walked the dog and washed the dishes and bought the groceries, all jobs I couldn't have done. Friends took care of the dog one day while my husband attended a meeting. I carried on with the one thing that I could do.

Woolf had household servants. Do I need to repeat this?  Her family did not have to wait on her all day long. The idea that the very people I used to take care of are taking care of me may be what keeps me up and down the stairs, in and out of the house, or sitting up in my office moving my pen. I never quite commit to being the patient.

The infusion room at St. Joe's is quiet in the evening.  My IV antibiotic was called Gentamicin, a friendly name for a substance that didn't make me sicker while it was making me well--unlike the pills I'd been swallowing. The nurses could not have been kinder, even when, after multiple sticks, they couldn't get through my thick skin to a vein. A"pick nurse," Janine, came to the rescue, inserting a pediatric-size needle near my wrist bone.  Janine rolls her equipment around in front of her in a cart as tall as an IV pole, with stacks of baskets for her needles and tubes and a shoebox-sized ultrasound machine for spotting the tiny veins of children.  Like anyone with a very specific skill she has utterly mastered and does not underestimate, she took her time, spoke softly, and succeeded on the first try.

The infusion room is not far from the chemo room, and I think this is what Woolf meant when she wrote that the "waters of annihilation close above our heads" in illness.  You can't help, if you are 58 and sick, thinking ahead to future illnesses, to final ones.  Maybe this, and not the discomfort of being waited on, is the real reason I don't lie down and let myself get well.


Monday, October 10, 2011

Sex as Deal Breaker in The Ides of March **Spoiler Alert**

I went to see The Ides of March Saturday night with my husband and son, and I should have stayed home. A. O. Scott of The New York Times warned me that although the film has “lofty” ambitions—to wrestle with “the nature of honor, the price of loyalty, the ways that a man’s actions are a measure of his character”--in the end it simply points out instances of male politicians treating women like paper napkins, of lying in politics generally, and of reporters getting things wrong.  None of this is news, Scott says.  Right.  I’d go a little further: the fine acting in this film is utterly wasted.

Married Democratic governor Mike Morris, played by George Clooney, is a guy with a conscience except when it comes to sex.  His media manager, Stephen Myers, played by Ryan Gosling, puts Morris’s sexual errors into context this way:

Don’t you know, [says Myers to the governor] that you can start a war [and here my memory of the actual movie dialogue gets faulty, so I’ll make up a few things], you can throw innocent people into prison, you can wreck a thriving economy, you can burn the country to the ground, but [what comes next I can quote with some confidence] “the one thing you cannot do is FUCK AN INTERN!”

The intern in question, said to be 20 years old, is played by Evan Rachel Wood and is the daughter of the chairman of the DNC.  It doesn’t matter much who she is, except that her connection makes Morris seem even more hubristic than we already believe him to be and renders Myers, who sleeps with her, too, reckless, at the very least. 

So it all comes down to sex.  That’s recent, though, isn’t it?  Didn’t FDR have a long-lived affair with Lucy Mercer?  Didn’t most of the Kennedy family get it on with Marilyn Monroe?  Bill Clinton may have been the turning point.  He was just a little too relaxed about his infidelities.

After the movie, I had an argument with my son:

Me: I don’t understand this puritanical attitude toward sex.  The George Clooney character has sex with a young woman and suddenly he’s not fit to be president? 

Son: He’s married, Mom.  Are you saying that it shouldn’t matter if he screws around on the side?

Me  I’m saying that once it wouldn’t have mattered. 

Son: Would you have voted for Barack if it came out that he was doing an intern?

Me:  I voted for Clinton when it was already pretty clear that he couldn’t keep it in his pants.

Son: But, see, that’s the difference. He never pretended he was a good guy that way.

Me: So it’s the hypocrisy you object to?

Son:  Well yes, the lying, but also the sex.

Me: It wasn’t that way when we were young.  You could sleep with anybody you wanted to.  The birth control pill was a wonderful thing.   

Husband: AIDS. That’s what changed everything. 

[My son and I ignore him. This happens far too often.]

Son: But don’t you think it’s better this way, Mom, better now than then?

Me: I do not think so. [At this point I reassure both husband and son that I myself do not practice infidelity.]  . . .  All I’m saying is why does it matter so much?  When did we start to hold up marital fidelity as THE indicator of character?  George W and his father before him were faithful in office, so we believe, but how many deaths were they responsible for?

My son and I did not agree to disagree.  We just disagreed. I’ve been thinking a lot about the conversation since.

I know what the seventh commandment is, but what about all the others?

My husband has always maintained that Democrats get elected to office so they can have illicit sex, and Republicans so they can make illicit money.  (He means men, of course.)  What bothers me is that the Republicans have set the agenda for what can ruin a public official.  They can dole out enormous contracts to Diebold and Halliburton, torture prisoners and render them to countries who torture them worse, collect money hand over fist from lobbyists who (to put it mildly) do not have our best interests at heart, and . . . you know the list.  But most of them manage either to stay faithful to their wives or give up sex altogether.  (The third possibility is that they hire hit squads to take out any and all people who know different.) My theory is they think sex is way more trouble than it’s worth. It doesn’t affect the bottom line, for one thing. Yet we’re supposed to think they’re fine, upstanding, moral men, apart from the occasional anomalies--you know, sex in bathroom stalls or while your wife is dying of cancer.

(Okay, I realize that most Democrats are not on my side, either. They can’t get there.  Their health insurance packages are so big they bar the way.)

The saddest footage of The Ides of March is Evan Rachel Wood’s character waiting alone in the lobby of an abortion clinic for her procedure and in a restaurant afterward, again alone, for Myers to pick her up.  He never shows. 

Does the intern herself ever matter one bit in these scenarios?  The film takes her story one step further, and that irritated me, too, because the only result of her suicide (besides ending her life) is to make Myers a meaner, smarter political player than before.

Did you or didn’t you?  And how can we make you pay?  What an arid, loveless world we live in.  

Sunday, October 2, 2011

A Little Magazine





The third issue of Trachodon: lit, art & artisan culture was mailed to subscribers this week, and once again, I’m pretty dang impressed by the efforts of John Carr Walker and Katey Schultz, friends from my MFA program at Pacific University, to publish something that feels new and old at the same time. The new issue is 60 pages of fresh and professional writing and images that taste as homemade as the salsa I canned with friends last week.

Issue #3 includes a new story by Pete Fromm called “God’s TV.”  It would be hard to overestimate Pete’s influence on fiction writers at Pacific. He was my own faculty advisor for two semesters, and in arguing with him over just about everything that had to do with craft, I began to intuit what kind of writer I am. Four-time winner of the Pacific Northwest Booksellers Association’s “Book of the Year” award, Pete, in his novels and stories—I hope he doesn’t read this—persuaded me to cut men a little more slack, even and especially self-consciously manly men, whose hearts are pounded to pulp by love, lost or found, just like everyone else’s.  His female characters are as sharp and real, and often as funny, as Larry McMurtry’s.  The film version of his novel As Cool as I Am, about teenager Lucy Diamond and her young mother, both of them relentlessly pursuing love, opens in 2012, starring Claire Danes, James Marsden, and Sarah Bolger.  “God’s TV” will not disappoint you. 

Pete’s story is one of three in this issue, and I can recommend the other two as well: “Bacillus Anthracis” by Heather Clitheroe, about isolation in marriage caused by one partner's germophobia, and “The Littlest Goat,” by Daniel Pinkerton, about more general isolation caused by fear of bridges and a bunch of other things. Since "God's TV" follows a man resisting the lifestyle changes that fatherhood will bring . . . I guess I'm seeing a pattern here, a collective theme. Also in this issue: art by Marianne Dages, a nonfiction piece about printing by Ray Scanlon, and reflections on writing by John and Katey. Trachodon 3 is, in Raymond Carver’s words, a small, good thing. Subscribe or buy single issues at http://www.trachodon.org/subscribe.php.*

I got involved with Trachodon when they published one of my stories, “Shoebox,” in Issue #1.  (You can read the first issue online for free now, at http://issuu.com/trachodon-lit-mag/docs/issue1?viewMode=magazine. Let me know what you think of my story.) I began contributing book reviews soon after to Cheek Teeth, the blog associated with the magazine. Cheek Teeth has attracted a stunning variety of guest blogs and bloggers. Check it out, too: http://www.cheekteethblog.com/.


*You can use my discount! For a 99-cent ebook of Issue 3, use promo code SZ52T and follow this link. (Regular price is $4.99) (In case the link fails: https://www.smashwords.com/books/view/86391)  For 25% off the print edition, use promo code QVHHQGHT and follow this link. (Regular price is $10) (In case the link fails: https://www.createspace.com/3659068)

Saturday, September 24, 2011

Facing Forward

Victor, my sweet son, now Chelsea's husband. 
I started teaching again this week, two sections of English 101 at the main campus of Skagit Valley College in Mount Vernon, WA. I got up at 5:15, drove the 25 miles over the hill from Bellingham and walked into class by 7:30.  I listened to music on the way, something that I rarely get around to doing at home. After thirty minutes of Sweet Honey in the Rock or Bonnie Raitt or Rosemary Clooney, I felt a little too awake, and had to remind myself to keep my voice down so as to not scare any students away. By Thursday morning, however, no lyric or chord or shot of espresso could have filled my tank. I taught comatose, trusting my lesson plan to get me through.  I think that it did, in one of my sections anyway.

I've taught before, last spring at a satellite campus of SVC, and in one venue or another for about eight years in California. I like teaching.  Grading papers is not a whole lot of fun, but it's part of teaching, so I try to do it well.  In California, when my kids were teenagers, teaching was a way to relocate my voice to a place where it might do some good.  At home my kids weren't listening, and every time I opened my mouth, their deafness deepened.  So I stayed out of their way two afternoons and nights a week and the rest of the time was often too busy planning and grading to wander through the house checking up on what they were or weren't doing.

Teaching was an avocation, in other words, as writing also was.  My vocation, from the minute I laid eyes on Alex, my first child, was my kids.  But, as you see below in the photos from Victor's July wedding, my vocation has slipped away.  I think of it as an empty park.  I can walk through it, sit down, and enjoy the breeze, but I'm alone there. The people I used to hang out with return only for quick visits--to careen down the slide, or run to the restroom.

This emptiness has started, maybe, finally, to look like space. Maybe I'm beginning to remember how it felt to live just one life, my own.  It's possible that I'll wake up tomorrow morning and ask myself what the day will bring me.  I don't know what's finally shifting me in that direction.  The kids have done everything they compassionately could to tell me it's time to move on. Maybe it was the wedding followed by the new job.  I feel different.

Mom and Dad with the newlyweds Victor and Chelsea.

Plus Mary and Alex.  All of us.

Alex and Mary dancing. (Okay, I made them.) Our dear friends, my kids' other parents, Kevin and Barbara Susco.

Plus my big brother, Ed, standing at right, my nephew, Paul, seated left, and my sister-in-law, Marrianne, seated right.  

Barb and Kevin

Plus Laurie Miller, Warren's sister, and his mom, Mary Miller.


Victor in front, his groomsmen Alex, Warren, and Matt.

My park buddies, Alex, Victor, and Mary.